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Netflix — Oct 21, 2025 release

Fiscal 2025 third-quarter results · 8-K Item 2.02 · Exhibit 99.1 · 0001065280-25-000404
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Showing in the filing
Ads revenue growth
“more than double”
Period
FY2025
Measure
GAAP-tied
Source
Guidance table
All guidance in this release · 14
Revenue for Q4 FY2025
“$ 11,960”
Y/Y % Growth for Q4 FY2025
“16.7 %”
Operating Income for Q4 FY2025
“$ 2,860”
Net Income for Q4 FY2025
“$ 2,355”
Diluted EPS for Q4 FY2025
“$ 5.45”
Operating margin for Q4 FY2025
“23.9%, a two percentage point year over year improvement”
Revenue for FY2025
“$45.1B”
Revenue for FY2025
“$45.1B in revenue (16% growth, 17% on an F/X neutral basis)”
Operating margin for FY2025
“29% (both reported and based on F/X rates as of 1/1/25)”
Operating Margin (F/X neutral) for FY2025
“29%”
Ad formats testable for FY2026
“dozens of ad formats”
Ads revenue growth for FY2025
“more than double”
Free cash flow for FY2025
“approximately $9B (+/- a few hundred million dollars)”
Remaining share repurchase authorization for the long term
“$10.1B remaining under our existing share repurchase authorization”
Exhibit 99.1 · the passage around this item
… earlier in the release
In that time, we’ve gone from zero members on our ads plan to achieving sufficient scale in all 12 of our ads markets (and we’ll continue to grow from here), building out our ad sales and operations teams, and enhancing our capabilities for advertisers including launching our own first party ad tech stack (Netflix Ads Suite). We have a solid foundation and are increasingly confident in the outlook for our ads business. We are now on track to more than double our ads revenue in 2025 (still off a relatively small base) and we successfully concluded our US upfront with commitments more than doubling this year. With the Netflix Ads Suite fully deployed across all our ads markets for a full quarter, we now have greater opportunities for innovation like enhanced targeting and for integrating additional demand sources. For instance, we recently announced we will integrate Amazon’s DSP globally and AJA’s DSP in Japan into our programmatic offering, with availability beginning in Q4’25. These efforts should help create a better, more relevant experience for our members and help advertisers drive even better results. __________________________________ 13 Eyeline is Netflix's VFX, technology and innovation company. 5 Competition The entertainment business is very broad, very large, and fiercely competitive. In addition to other streaming services, we compete with linear TV, social media, video gaming, theatrical movies, concert going, book reading, music listening, and all the options people have for their leisure time. As a result, we’ve always faced and continue to face intense competition from many formidable companies (local and global) in a
later in the release …
the item shown at left
other guidance in this release
Text is the filed exhibit, verbatim.