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Netflix — Jul 16, 2026 release

Fiscal 2026 second-quarter results · 8-K Item 2.02 · Exhibit 99.1 · 0001065280-26-000211
Open on SEC.gov ↗
Showing in the filing
Live programming share of view hours
“only ~1% of view hours”
Period
FY2026
Measure
Company-defined measure
Source
Prose
All guidance in this release · 21
Forecasted revenue range for FY2026
“$51.0-$51.4B”
Operating margin for FY2026
“31.5%”
Revenue for Q3 FY2026
“$ 12,860”
Y/Y % Growth for Q3 FY2026
“11.7 %”
Operating Income for Q3 FY2026
“$ 4,268”
Net Income for Q3 FY2026
“$ 3,452”
Diluted EPS for Q3 FY2026
“$ 0.82”
Content amortization growth for FY2026
“~10%”
Operating margin for Q3 FY2026
“33.2%”
Revenue forecast for FY2026
“$51.0-$51.4B”
Ads revenue for FY2026
“approximately $3 billion”
Operating income growth for FY2026
“20%+”
Live programming share of content spend for FY2026
“just over 5% of our content spend”
Live programming share of view hours for FY2026
“only ~1% of view hours”
FCF for FY2026
“approximately $12.5B”
Free cash flow for FY2026
“approximately $12.5B”
Annual cash content spend to amortization ra… for FY2026
“~1.1x”
Cash content spend to amortization ratio for FY2026
“~1.1x”
Share repurchase authorization
“an additional $25B”
Debt maturing for FY2026
“$1B”
Debt maturing to be refinanced for FY2026
“$1B”
Exhibit 99.1 · the passage around this item
… earlier in the release
Different types of content impact our business differently – some drive more acquisition, some primarily aid retention, and some make the service feel indispensable. For example, in 2026, we expect live programming to account for just over 5% of our content spend but only ~1% of view hours. Yet, live event programming accounted for six of the top 10 new member sign-up days over the last five years (and we've only been doing live events since 2023). Quantity of engagement is also important and, as detailed in our bi-annual What We Watched 5 report, in the first half of 2026, our members watched more than 97 billion hours, up 2% year over year. This was slightly faster than the 1.5% growth in 2025, despite the competitive impact of the Winter Olympics and the World Cup this year. Non-English content again drove more than a third of all viewing this half, with standout titles from Korea, Japan, Spain, and India. Our Q2 slate delivered a host of titles that our members loved and were broadly viewed, including Harlan Coben’s I Will Find You * (87M views) - our biggest new original series debut in 2026 so far, Legends * from the UK (20M views), K-drama Teach You a Lesson * (55M views) - which is on track to become our second-most viewed Korean show globally 6 , Berlin and The Lady with an Ermine * (28M views) from Spain, The Polygamist * (24M views) from South Africa, Flunked * (11M views) from France, and Rosario Tijeras S5* (6M views) from Mexico. We also continued to s
later in the release …
the item shown at left
other guidance in this release
Text is the filed exhibit, verbatim.